Oboe Unbound: Contemporary Techniques (The New Instrumentation Series) The fingering charts are extremely reliable, having been tested by a range of oboists with varying reed styles and instruments. This resource seeks to open up the tradition-bound assumptions of that
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| Title | : | Oboe Unbound: Contemporary Techniques (The New Instrumentation Series) |
| Author | : | |
| Rating | : | 4.52 (620 Votes) |
| Asin | : | 0810850311 |
| Format Type | : | Paperback |
| Number of Pages | : | 125 Pages |
| Publish Date | : | 2004-10-15 |
| Genre | : |
Editorial : the tone of the book is that of someone who really understands the inherent difficulties of this music, yet has such a great appreciation and understanding of the topic the reader can't help but be excited by it. It is not condescending, and is careful not to assume any prior knowledge that would make a novice reader insecure, yet maintains a broad enough scope to appeal to a professional who performs this music regularly.Ms. Van Cleve is at once the oboist's champion and protector.What this book has going for it the most is its author: Ms. Van Cleve has tried all of these techniques and fingerings hundreds of times, she knows what works, and she has worked with a myriad of composers on techniques and contemporary notation. In the course of writing this book, she solicited a number of oboists to try out her fingerings and techniques on a wide variety of oboes and reed styles. Her incredible knowledge and experience with a vast array of techniques and repertoire is inspiring. If Oboe
Oboists, forever obsessing over reeds and the demands of their finicky instrument, have lagged somewhat behind their more adventurous colleagues. This resource seeks to open up the tradition-bound assumptions of that instrument's capabilities.
Not only does it include descriptions of the instrument's standard technique (such as range, reeds, and use of vibrato); but it provides a discussion of the many techniques that have recently been utilized (such as multiphonics, microtones, altered timbres, extended range, and many others) along with numerous musical examples and hundreds of fingerings. The fingering charts are extremely reliable, having been tested by a range of oboists with varying reed styles and instruments. A concluding chapter provides basic information about the use of electronics for amplification, recording, and sound enhancement. The book's appendices include a substantial bibliography of music and literature, a discography including jazz, non-western, and a
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